“Dost thou think, because thou art virtuous, there shall be no more cakes and ale?”
Shakespeare’s barb, aimed at the puritan Malvolio in Twelfth Night, seems an apposite response to the stuffed shirts at Shakespeare’s Globe. They have got rid of Emma Rice, the theatre’s first female director, for the crime of using lighting and sound effects, rather than sticking to their po-faced agenda of ‘authenticity’.
I’ve loved The Globe from its opening back in the nineties, when the equally exciting and innovative Mark Rylance launched the theatre. The fear was always that it would be a museum of Shakespeare, somewhere that tourists and bored school kids were taken while ‘doing’ our national poet. Rylance’s passion made it a thrilling venue, where you were never sure what you would see next. His experiments with authentic lighting, costumes and minimal staging felt new and radical at the time.
Dominic Dromgoole was a ‘safe pair of hands’ successor, although some of the Globe To Globe productions – inviting theatre troupes from around the world to perform the plays in their own language – were exciting, if perhaps less commercially successful. But it had been a while since I’d had such a vibrant theatrical experience as Emma Rice’s first production at The Globe, A Midsummer Night’s Dream (reviewed here).
I felt like I did the first time I fell in love with theatre. I laughed aloud, clapped till my hands hurt, hung on every word, cheered at the end. I was with a friend who had never seen Shakespeare before. She’d expected a difficult, maybe boring night out. We had a riot. This, I told her exuberantly, was why I love Shakespeare. He can take all the 21st century can throw at him, its carnival and excess and multiculturalism, and emerge all the better for it.
Well, he can. The audiences, which loved the play and packed the theatre, can too. Sadly, the Shakespeare’s Globe board can’t. It released a mealy-mouthed statement which acknowledged Rice’s enormous success – then added: “Following much deliberation and discussion, the Globe Board has concluded that from April 2018, the theatre programming should be structured around ‘shared light’ productions without designed sound and light rigging, which characterised a large body of The Globe’s work prior to Emma’s appointment.”
Confusingly, they continue: “As Emma has already so brilliantly and inventively demonstrated, the Globe remains committed to delighting audiences and engaging them in both Shakespeare’s work and the playhouse for which he wrote.” Delighting and engaging us by sacking the brilliant, inventive director who delighted and engaged us? Pull the other one.
The crazy thing about this is that Shakespeare was an innovator, an inventor of language who forged new types of drama, played in new types of theatre. Does anyone seriously think the man who wrote The Tempest would have chucked out the lighting rig, if he’d had access to one? He even wrote a speech (in Hamlet) criticising old-fashioned acting methods. If Shakespeare walked among us now, I bet you he’d be working with Emma Rice, not with the Globe’s board.